Complexions was founded in 1994 by Master Choreographer Dwight Rhoden and Legendary Dancer Desmond Richardson and has through the years grown to become the World's most accomplished and technically sound, Contemporary Ballet Company. Sammi Lim Throughout his career, Richardson has danced on the most important stages throughout the world. In 1994, Complexions Contemporary Ballet was formed by Desmond Richardson and Dwight Rhoden. She’s almost always white and willowy, her legs like spindles. Brooklyn, New York500+ connections These experiences have allowed him to perform with such musical artists as Michael Jackson, Prince, Aretha Franklin, and Madonna. “My lines come off very unique, so I won’t have that picture-perfect balletic line and shape that classical ballet will want.”.
I’m not stick thin. Its programs include music from Kendrick Lamar, David Bowie and Lenny Kravitz – a far cry from the kind of lyric-less instrumentals usually associated with the art form. Before joining Complexions Contemporary Ballet, Davis said she attended close to a hundred company auditions. Desmond Richardson (1969, Sumter, Carolina del Sur, Estados Unidos) es un bailarín estadounidense cofundador y codirector del grupo Complexions Contemporary Ballet, considerado uno de los más notables de su generación [ 1 ] ​ “We’re about toasting the idea of unity – you know, contrasting qualities working harmoniously.”. His mother recognized his musical connection and had him sing in a church choir. “I don’t have the stereotypical ballet body. uscdance@usc.edu, Student Blog: Rhoden and Williams teach “Hissy Fits”, Complexions Contemporary Ballet Intensive at USC Kaufman, Gallery: Salon with Diana Vishneva and Desmond Richardson, Desmond Richardson - photo by Julietta Cervantes, Desmond Richardson photo by Sharen Bradford. “I can do that, and I can do that fiercely,” they said. We are blessed to be able to work with some of the most talented young dancers from around the world. Edisa Weeks of Edisa Weeks/Delirious Dances on Her Three-Part Work “Three Rites: Life, Liberty, Happiness”, A Day in the Life of Complexions Contemporary Ballet, Curator and Costume Designer Deepsikha Chatterjee on the Indo-American Arts Council's 2020 Erasing Borders Dance Festival, The Bessies Announces Town Hall on October 26 and 36th Annual Ceremony on December 14, 2020, Georgiana Pickett & Shayla-Vie Jenkins Join Merce Cunningham Trust, IMPRESSIONS: Alpha Omega Theatrical Dance Company's “Solo Suites” @theAO. Since our beginning 25 years ago we've been inspired by Bach's music, which is how the title Bach 25 was born. Richardson has worked as a guest performer and choreographer in film and television, appearing in the Oscar-winning Chicago, Across the Universe and on the American and international editions of So You Think You Can Dance. He also has worked as a featured dancer for artists including Michael Jackson, Prince, Madonna and Aretha Franklin. “I definitely try to portray, like, that tall, Amazonian type because that’s not something that you see onstage a lot, and it’s beautiful,” Davis told the Guardian. It’s these cemented stereotypes that some people blame for misogyny in ballet, a hot topic in the #MeToo era. Former New York Times dance critic Alastair Macaulay called the art form a “sexist view of the world”, and in contrast to other dance styles, ballet has faced scrutiny for its lack of female choreographers shaping the narrative. “Show that part,” Richardson said. But perhaps the most radical part of Complexions is the people in it. 4 talking about this. But for a long time, that individuality worked against her. Beyond outdated gender politics, ballet has a legacy of privileging white bodies. Photo courtesy of Complexions Contemporary Ballet. Richardson plays the role of Sammy an assistant choreographer working alongside Zander Reins. Now, audiences pay to watch them strut en pointe while mouthing David Bowie lyrics, blue glitter streaming down their face. “We want to celebrate diversity on every level: body types, looks, training, qualities of movement,” Rhoden said. Desmond S. Richardson Co-Founder Co-Director at Complexions Contemporary Ballet, performer,Singer Song writer, Visual Artist, movement Dir. Luckily for this work, the process has been a smooth one thus far. He has appeared on TV shows as a celebrity performer and choreographer for SYTYCD, Amici(Italy), Israel(SYTYCD), and Australia(SYTYCD).

Richardson worked as an ensemble member in Chicago alongside Renee Zellweger and Catherine Zeta-Jones. © 2020 Guardian News & Media Limited or its affiliated companies. I have a very muscular and curvy (build), which is very different from a stereotypical Asian woman, too,” Tong said. It digs into our 25-year archive of over a 100-created works and gives the audience a chance to see pieces that have become a part of the foundation of Complexion’s style. Subscribe below to receive our email updates: Features From Then to Now, a compilation of repertory favorites, is….
In the fall of 2017, he began work on the set of High Strung Free: Dance alongside actors Harry Jarvis, Juliet Doherty, and Thomas Doherty. With this latest cast, the ballet really shines and showcases the many incredible facets of Bowie.

Advertising, FJK Dance, "A Message of Peace" Photo Courtesy Choreographer. But as she went through puberty, her body changed in ways she couldn’t control. Complexions Contemporary Ballet was founded in 1994 by Master Choreographer Dwight Rhoden and Legendary Dancer Desmond Richardson and through the years, has grown to become one of the most accomplished Contemporary Ballet Companies in America. Complexions was founded in 1994 by Master Choreographer Dwight Rhoden and Legendary Dancer Desmond Richardson and has through the years grown to become the World's most accomplished and technically sound, Contemporary Ballet Company. Dancers are pushed to achieve their full artistic potential with classes in a variety of techniques including Classical Ballet, Contemporary techniques, Modern, Jazz, Improv, Hip Hop, as well as. He also received a merit scholarship for the Internationale Akademie des Tanzes in Köln, Germany (1984-1985) and was the recipient of a Presidential Scholar Award for the Arts (1986) from YoungArts. But talented, diligent dancers don’t always fit those conventions. “It’s really, really special.”, Available for everyone, funded by readers. Our intensives continue to strive for the founders' vision of dance based on rigorous contemporary training that is imbued with a sense of movement, power and exuberant energy. He just wants them to embody strength. "Desmond Richardson." He grew up in a household filled with music which fostered his connection to dance; his grandmother was a singer and church choir director while his absentee father was a rhythm and blues musician with the group The Manhattans. Just 10 years ago, Macaulay – the same dance critic who called out ballet for being sexist – caused an uproar when he wrote in a review that a New York City Ballet professional dancer “looked as if she’d eaten one sugarplum too many”. In the 90s, Coker started her professional dance career in ballet. Like, you either have it or you don’t.”. A Postcard From Craig Ramsay: My Best Friend & Cancer Patient, Catherine Wreford, Is Proving Science Wrong, The Dance Enthusiast Asks Kelly Pratt And Ian Kreidich Of Dancers & Dogs.

Through Richardson's and Rhoden's direction, Complexions introduced heterogeneity into American concert dance with their emphasis on gender ambivalence and the plurality of race, sexuality, and dance formality. Desmond Richardson founded Complexions Contemporary Ballet with fellow dancer and choreographer Dwight Rhoden in 1994. Complexions Intensives remains at the forefront of American Dance Education and was developed to train the next generation of dancers from middle school through the professional ranks. With his work in Complexions Contemporary Ballet, Richardson defined his brand by his practice of improvisation in formal concert works. Your support helps us cover dance in New York City and beyond! an exciting new cast!

Desmond Richardson is an American dancer, co-founder and co-artistic director of Complexions Contemporary Ballet.He has mastered a wide range of dance forms including Hip Hop, classical, modern, and contemporary Ballet. And while Tong and Davis put pressure on traditional ballet bodies, their colleague Maxfield Haynes is dismantling the very framework that creates those physical expectations. Complexions Contemporary Ballet was founded in 1994 by Master Choreographer Dwight Rhoden and Legendary Dancer Desmond Richardson and through the years, has grown to become one of the most accomplished Contemporary Ballet Companies in America. In a featured role with the company, Haynes is engulfed in a spotlight, crouching on their pointe shoes, arms outstretched like a butterfly. Gale In Context: Biography, John F. Kennedy Center for the Performing Arts, https://link.gale.com/apps/doc/K1606002485/BIC?u=columbiau&sid=BIC&xid=f703db6b, Archive film of Desmond Richardson and Karine Plantadit-Bageot performing Episodes (Living in the Present Moment) in 2000 at Jacob's Pillow, "The Muse of Virtuosity: Desmond Richardson, Race, and Choreographic Falsetto", https://en.wikipedia.org/w/index.php?title=Desmond_Richardson&oldid=984856460, So You Think You Can Dance choreographers, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, Fiorello H. LaGuardia High School for the Performing Arts, Manhattan, NY, merit scholarship, 1982-83, Alvin Ailey American Dance Center, merit scholarship, 1983-86, International Academie des Tanz, Cologne, Germany, summer academy scholarship 1984-85, Presidential Scholar Award for dance, 1986, Tony Award nomination for his role in Fosse, 1990, This page was last edited on 22 October 2020, at 14:40. She always got rejected, and nine out of 10 times it was because of her height. My stance is…. In 1997, he joined the American Ballet Theatre where he performed the lead role in the company's world premiere production of Othello and quickly was promoted to become the first African American principal dancer since the inception of the company.


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